How to Use a View Finder to Compose a Painting
When photographers are trying to capture a scene, they have the added convenience of a viewfinder built into
What we can take in with our eyes is a lot greater than what a photograph or a painting can convey, so the
viewfinder helps narrow that focus to what will actually fit on the rectangular artwork.
Unfortunately for painters, composing a scene isn’t as readily easy as it is for photographers. When staring out
at a large landscape for instance, it can be difficult to isolate a section that you want to focus on.
Luckily, there are makeshift viewfinders for painters to use in order to help compose their paintings.
Get a Viewfinder
First you need to get some kind of object you can use as a viewfinder. An empty picture frame can quickly be
repurposed for this function, but you may want something that offers a bit more flexibility in terms of shape.
What’s better than a hollow rectangle like a picture frame is two L-shaped pieces, effectively splitting the
rectangle from corner to corner.
This will allow you to change the size and shape of the image within the viewfinder easily. You can make your
own viewfinder quite easily out of cardboard or cardstock. In a pinch, use the thumb and index finger of each hand
to make two L’s and frame the image this way.
How to Use It
If you know what size your canvas is going to be already, position the viewfinder in this shape. If you’re still
open to the options (which is probably better, since the best way to frame your scene may not necessarily be in the
shape of your canvas), try many different orientations with your L’s.
You can pull them apart horizontally to see what a wide, squat painting would look like, or do the same
vertically to better envision a tall, narrow painting. You can even see what a square painting would look like—it
could very well be the best option. Move it around across the scene like you would a camera, and see which part
makes the best composition.
When you find a composition you like, make a solid mental note of what’s inside the frame. You don’t want to
drop the viewfinder to start sketching and then realize you’ve forgotten where you had it focused. If your scene is
very large, you may want to divide your sketch into four equal parts and then reposition the viewfinder to frame
each quarter while you sketch.
This is a bit like using the grid method
when copying a work, focusing on one piece at a time. If you’d like, you can even set up your viewfinder to somehow
hang in front of the scene so that it frames your composition perfectly from the angle at which you are
Making and using a viewfinder is very simple and is something that can be a tremendous help if you’re having
difficulty isolating a part of the scene to focus on. It only takes a minute to do and using it can be the
difference between a good and a great composition.